Friday, October 31, 2014
The Great Explainer’s self-titled full-length debut is a fascinating mix of brutal vocals over catchy post-hardcore-played-through-the-lense-of-The-Replacements music. At first the vocals can be a bit taxing with their defiant guttural nature, but after multiple listens, they begin to not only meld with the music but accentuate it. The Great Explainer is a tight, tight band and that is on full display here. From the opening of “Shadowcaster” to the closing of “Unapproachable” The Great Explainer is a record that works but it is one that challenges the listener to invest the time to truly get it. This is by no means a criticism. Far too often records don’t challenge the listener, or the ones that do only do so by presenting what is essentially controlled noise. The Great Explainer have put together a record steeped in melody and hooks but ones that aren’t obvious or trite, thus requiring time to appreciate. So like a good wine, The Great Explainer is a record that only gets better with time.
Thursday, October 30, 2014
Textbook’s fifth full-length album All Messed Up is 11 songs of Midwestern, pop punk indie college rock perfection. Having boasted members of bands like Noise By Numbers, Dan Vapid & the Cheats, Not Rebecca, and The Bomb, Textbook is the quintessential Chicago band. All Messed Up opens with the insanely catchy “Everything I’m Not” perfectly setting the stage for what is to come. The record is filled with hooks and melodies and sing-along choruses that dare you to not fall in love with them. What’s great about All Messed Up, and Textbook’s music in general, is the timelessly fun while simultaneously feeling nostalgic and fresh. This is the kind of music that would have fit just as perfectly next to Flip Your Wig and Tim in 1985 as it would have next to Big Red Letter Day, Fore, and Come On Feel The Lemonheads in 1993, Indecision and Awake is the New Sleep in 2005, and All the Ways You Let Down and Who Would Want Anything So Broken? in 2014. In other words if you are a fan of the likes of Husker Du, The Replacements, Naked Raygun, The Methadones, Buffalo Tom, Candy Hearts, or Beach Slang, then you need to give All Messed Up a listen. I think you’ll love what you hear, lord knows I do!
Friday, October 17, 2014
Sunday, October 12, 2014
The Tim Version’s fourth album Ordinary Life is nothing short of brilliant. Perfectly mixing elements of punk (ala Hot Water Music), college rock (ala The Replacements), and alt country (ala Lucero and Drag the River), the result is a powerful blast of everything that is good in rock ‘n’ roll music. The record moves effortlessly from high octane rockers (“For the Birds” and “Hello, Waterface”) to haunting ballads (“The Future Of Humanity Is Dogs” and “Die In Yer Sleep”) to mid-tempo anthems (“Plague Dogs,” “Funny Movies,” and “A Dream About Dean’s Dream”). From top to bottom, Ordinary Life not only works but excels at being a top notch rock ‘n’ roll record that is easily one of the best releases of 2014. My only complain is that this is my first exposure to The Tim Version. This band is fantastic and is everything that I love about the modern punk scene and it bums me out that I am just hearing them now. Needless to say, The Tim Version and Ordinary Life will be getting a lot of play in my house. Fans of The Gaslight Anthem, Chris Wollard and the Ship Thieves, Against Me!, The Loved Ones, and the aforementioned bands need to give Ordinary Life a listen.
Saturday, October 04, 2014
Friday, September 26, 2014
Boasting members of Dear Landlord, Dan Padilla, and Madison Bloodbath and hailing from San Diego, CA, Shallow Cuts delivers a stellar EP in Storm Watch. With a sound that is catchy as hell, pulling from the best of punk, power pop, and straight up rock ‘n’ roll, Shallow Cuts’ debut is a timeless piece of perfection. From the opening hook of “The Mission” with its wink to Loverboy (which amazingly works and makes the classic rock number not suck simply by its association to such a great new song), to the closing crescendo of “Calamine,” Storm Watch is, simply put, flawless. 2014 has given us the debuts from two incredibly brilliant new bands; the first in Beach Slang and the second in Shallow Cuts. Storm Watch is a must for fans of ridiculously catchy rock/punk/power pop and one of the best records of the year.
Title: Cheap Thrills On A Dead End Street (BandCamp [Beach Slang], BandCamp [Tiny Engines], Tiny Engines Records, Amazon, iTunes, Interpunk, SoundCloud)
Beach Slang’s debut EP Who Would Ever Want Anything So Broken? is by far my favorite record of 2014 and I have been eagerly awaiting its follow-up. Cheap Thrills On A Dead End Street succeeds in every way that a follow-up release should by taking the energy and excitement of the previous release and adding to it new levels of nuance and passion. The four song EP takes the band’s punk-as-seen-through-college-rock approach of Who Would Ever… and tweaks it by adding layers of deeper sorrow and heartache and touches of Joy Division and Echo & the Bunnymen. The resulting sound is still clearly Beach Slang but displays a growth to this band’s already passionate and deep work. While Cheap Thrills… is less in-your-face than its predecessor, the slower tempo and refined approach make it just as invigorating and powerful. This band is seriously something special and one to watch. I look forward to being a fan for many years to come.
Monday, September 22, 2014
Cancers’ full-length debut Fatten the Leeches is a blast of grunge-guitar driven, unforgettably catchy, rich power pop that harkens back to the glory days of the early 1990s. Formed by Ella Kasper and Lenny Miller, Cancers’ sound is reminiscent of the pre-(and very early post)Nirvana underground music scene without sounding cliched or overtly nostalgic. Love of the era of Kurt Cobain is in full swing and that has unfortunately brought us a lot of acts that simply minick or pilfer the music of two decades ago. That is not the case with Cancers. Fatten the Leeches is a brilliant album with a timeless feel that makes it sound like it could have been released in 1991 or 2014. Aside from the crunching guitars and perfect pop hooks, what truly makes this record excel is Kasper’s lush and sensuous vocals. From top to bottom Fatten the Leeches is an excellent record that would sound just at home playing next to early ‘90s releases like Gish, Spooky, and Nevermind as it would beside 2014 releases such as Famous Graves, Nervous Like Me, and Who Would Ever Want Anything So Broken?.